The Lion’s Jaw is Wild Hunt Records’ creative sanctuary: a studio tucked away on a 13-acre farm in Middletown, NY. Built by producer Aryeh, it’s more than just a recording space; it’s a mission-driven COMMUNITY hub dedicated to making high-quality studio recording accessible to economically disenfranchised, BIPOC and LGBTQ+ musicians.
Described as “The comfort of a home studio, the firepower of a world-class setup,” The Lion’s Jaw merges warmth and authenticity with top-tier production, Defining what an inclusive music space can be.
RECORDING
PRODUCTION
MIXING
Two dedicated recording rooms, a diverse mic locker, and every instrument you need—guitars, basses, amps, synths, keys, and percussion—all ready to bring your sound to life.
With a background spanning orchestral music, rock, country, and folk, Aryeh brings a versatile skill set to every project—offering support in everything from songwriting to full-scale orchestral recording.
I work closely with a team of mix engineers to bring your vision to life.
a short, scenic drive from NYC. MY studio thrives on the belief that music-making should be effortless, immersive, and rooted in a space that inspires.
Traditional recording studios can feel sterile and high-pressure, where every take feels like a race against the clock and budget. At my studio, we'll do things differently to create a fluid, stress-free environment that preserves the energy of your performance, fosters creativity, and brings out the best in your musicianship.
WHY THE LION's JAW?
Analog Recording OPTIONS
High Quality Instrument and effect Plug-Ins
Full Band Recording
Analog Synthesizers
Vintage Mic Locker
EXPANSIVE Instrument Collection
WORKS
Andrew Montana
"Azalea, Holly"
Odie Leigh
"How Did It Seem To You?"
Kevin Atwater
"My Blood Is Your Blood"
BLAKE ROUSE
"Monochrome butterfly land"
Producer, ARYEH (Ah-/r/ee-yeh)
I most often find that clients who come to me have found something about me safe-feeling after negative experiences with previous collaborators, many of these artists being women, BIPOC, or LGBTQ+ identifying.
I’m a big lore guy, deeply motivated by understanding an artist’s intentions behind a song, and day one of our collaboration often looks like aligning musical references until we're on the same page. I take a curious, exploratory approach to recording; one where no stone is left unturned, and experimentation is key. I don't reach for streamlined templates or tech, because I believe each song should feel like my first time approaching the task.
My favorite part of recording is exploring space and depth through microphone techniques. I’ve designed my studio as a musical playground, where mics can go anywhere—and if you’ve heard my work with the Wild Hunt Sessions, you know I mean anywhere.
I believe in capturing music where and how it’s made. That often means prioritizing live performance over tracking instruments separately, embracing the ebb and flow of natural expression rather than forcing a rigid tempo. Did you write this song in the woods? To the woods we go. My studio is arranged to reflect this, and incorporates the reality that many artists have a set workflow and need the ability to break-off or take the wheel to express their ideas how they might when alone.
I have a bachelor’s degree in film scoring from Berklee and I’m a classically trained pianist. I'm self-taught in everything else which I consider a strength, consistently throughout my career I feel not having a by-the-numbers background in production has allowed me to develop my own style and easily web in and out of established conventions.
While I love making folk and rock music, my friends know that privately, I listen to pop 90% of the time. But I believe my true strength is creating an atmosphere of comfort and trust—the kind that lets artists fully explore their sound.
Because at the end of the day, music-making should be fun.
BOOK A SESSION
(845) 568-7179
If you identify as part of a marginalized community and require reduced pricing, please mention it in your email and be prepared to demonstrate financial need. This discounted rate is subject to availability and capacity.